Las vidas de los pintores y estatuarios eminentes españoles. Que con sus heroycas obras, han ilustrado la nacion - Antonio Palomino de Castro y Velasco
Las vidas de los pintores y estatuarios eminentes españoles. Que con sus heroycas obras, han ilustrado la nacion - Antonio Palomino de Castro y Velasco
- ... Por Don Antonio Palomino Velasco, ...
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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'sourceLibrary'British Library
'ESTCID'T116438
'Notes'Titlepage in red and black. An abridgement of vol.3 of the author's 'El museo pictórico y escala óptica'. P.221 misnumbered 325.
'imprintFull'Londres : impresso por Henrique Woodfall, a costa de Sam. Baker, & T. Payne, 1744. 'collation'[4],325[i.e. 221],[1]p. ; 8°
EAN: 9780274415632
Marka
Symbol
528GGA03527KS
Rok wydania
2018
Elementy
228
Oprawa
Miekka
Format
15.6x23.4cm
Język
hiszpański

Bez ryzyka
14 dni na łatwy zwrot

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Marka
Symbol
528GGA03527KS
Kod producenta
9780274415632
Rok wydania
2018
Elementy
228
Oprawa
Miekka
Format
15.6x23.4cm
Język
hiszpański
Autorzy
Antonio Palomino de Castro y Velasco

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
'sourceLibrary'British Library
'ESTCID'T116438
'Notes'Titlepage in red and black. An abridgement of vol.3 of the author's 'El museo pictórico y escala óptica'. P.221 misnumbered 325.
'imprintFull'Londres : impresso por Henrique Woodfall, a costa de Sam. Baker, & T. Payne, 1744. 'collation'[4],325[i.e. 221],[1]p. ; 8°
EAN: 9780274415632
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
'sourceLibrary'British Library
'ESTCID'T116438
'Notes'Titlepage in red and black. An abridgement of vol.3 of the author's 'El museo pictórico y escala óptica'. P.221 misnumbered 325.
'imprintFull'Londres : impresso por Henrique Woodfall, a costa de Sam. Baker, & T. Payne, 1744. 'collation'[4],325[i.e. 221],[1]p. ; 8°
EAN: 9780274415632
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