Lettres de Monsieur ** à un de ses amis à Paris, pour lui expliquer les estampes de Monsieur Hogarth. - Jean Rouquet André
Lettres de Monsieur ** à un de ses amis à Paris, pour lui expliquer les estampes de Monsieur Hogarth. - Jean Rouquet André
AutorzyJean Rouquet André
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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'sourceLibrary'British Library
'ESTCID'T038594
'Notes'Monsieur ** = Jean André Rouquet.
'imprintFull'[London] : Imprimé a Londres: et se vend chez R. Dodsley; & chez M. Cooper, 1746. 'collation'[2],44p. ; 8°
EAN: 9780274419203
Marka
Symbol
565GFV03527KS
Rok wydania
2018
Elementy
46
Oprawa
Miekka
Format
15.6x23.4cm
Język
francuski

Bez ryzyka
14 dni na łatwy zwrot

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Marka
Symbol
565GFV03527KS
Kod producenta
9780274419203
Rok wydania
2018
Elementy
46
Oprawa
Miekka
Format
15.6x23.4cm
Język
francuski
Autorzy
Jean Rouquet André

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
'sourceLibrary'British Library
'ESTCID'T038594
'Notes'Monsieur ** = Jean André Rouquet.
'imprintFull'[London] : Imprimé a Londres: et se vend chez R. Dodsley; & chez M. Cooper, 1746. 'collation'[2],44p. ; 8°
EAN: 9780274419203
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
++++
The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
'sourceLibrary'British Library
'ESTCID'T038594
'Notes'Monsieur ** = Jean André Rouquet.
'imprintFull'[London] : Imprimé a Londres: et se vend chez R. Dodsley; & chez M. Cooper, 1746. 'collation'[2],44p. ; 8°
EAN: 9780274419203
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