Drawing from Life

Name: Drawing from Life
Brand: University Press of Mississippi
Price: 401.38 PLN
Availability: InStock

+ Dodaj do porównania Dodaj do listy zakupowej

Rozmiar

uniwersalny

Cena katalogowa405,07 zł

401,38 zł

/ szt.

Oszczędzasz1% (3,69 zł).

Szybkie zakupy 1-Click(bez rejestracji)

Produkt dostępny

Darmowa i szybka dostawa od 199,00 zł

14 dni na łatwy zwrot

Bezpieczne zakupy

Odroczone płatności. Kup teraz, zapłać za 30 dni, jeżeli nie zwrócisz

Kup teraz, zapłać później - 4 kroki

Przy wyborze formy płatności, wybierz PayPo. PayPo - kup teraz, zapłać za 30 dni

PayPo opłaci twój rachunek w sklepie.
Na stronie PayPo sprawdź swoje dane i podaj pesel.

Po otrzymaniu zakupów decydujesz co ci pasuje, a co nie. Możesz zwrócić część albo całość zamówienia - wtedy zmniejszy się też kwota do zapłaty PayPo.

W ciągu 30 dni od zakupu płacisz PayPo za swoje zakupy bez żadnych dodatkowych kosztów. Jeśli chcesz, rozkładasz swoją płatność na raty.

Essays that query the roles of trust, truth, and family memoirs in autobiographical comics Essays by Jan Baetens, David M. Ball, Lopamudra Basu, Christopher Bush, Isaac Cates, Michael A. Chaney, Alisia Chase, Sharon O'Brien, Davida Pines, Yaël Schlick, Rachel Trousdale, and Benjamin Widiss Autobiography has seen enormous expansions and challenges over the past decades. One of these expansions has been in comics, and it is an expansion that pushes back against any postmodern notion of the death of the author/subject, while also demanding new approaches from critics. Drawing from Life: Memory and Subjectivity in Comic Art is a collection of essays about autobiography, semiautobiography, fictionalized autobiography, memory, and self-narration in sequential art, or comics. Contributors come from a range of academic backgrounds including English, American studies, comparative literature, gender studies, art history, and cultural studies. The book engages with wellknown figures such as Art Spiegelman, Marjane Satrapi, and Alison Bechdel; with cult-status figures such as Martin Vaughn James; and with lesser-known works by artists such as Frédéric Boilet. Negotiations between artist/writer/ body and drawn/written/text raise questions of how comics construct identity, and are read and perceived, requiring a critical turn towards theorizing the comics' viewer. At stake in comic memoir and semi-autobiography is embodiment. Remembering a scene with the intent of rendering it in sequential art requires nonlinear thinking and engagement with physicality. Who was in the room and where? What was worn? Who spoke first? What images dominated the encounter? Did anybody smile? Man or mouse? Unhinged from the summary paragraph, the comics artist must confront the fact of the flesh, or the corporeal world, and they do so with fascinating results. Jane Tolmie, Kingston, Ontario, Canada, is associate professor of gender studies and cultural studies, cross-appointed to English at Queen's University. Find her at http://www.queensu.ca/gnds/tolmie.php

EAN: 9781617039058

Producent

University Press of Mississippi

Kod produktu

615FHP03527KS

Rok wydania

2013

Strony

326

Oprawa

Oprawa Skórzana

Twarda

Format